From Taxi Driver to Shutter Island, Martin Scorsese also knows his way around a thriller, and there have been numerous James Bond movies that have left pulses racing.
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David Fincher has an excellent grip on the genre, films like Seven, Zodiac and Gone Girl all imbued with an almost tangible sense of uneasiness. But the master left fertile ground for his sucessors to turn the screws. Of course, Alfred Hitchcock is the master of the thriller, unmatched even today. And there are generally some recurrent themes such as murder, political intruige, espionge, conspiracy, criminal activity or psychological manipulation (and sometimes they include all of the above, give or take an Ashley Judd). Suspense and a sense of tension is key, of course. While film genres like science fiction, horror films and romance are relatively easy to pigeonhole, there are no hard or fast rules with regards to what constitutes a thriller. Beyond that, it just ticks off the boxes of familiar behavior (the title refers to Orlean’s unnamed political party ignoring the obvious scientific evidence of what’s happening around them) without any kind of dramatic spin.Thrillers are hard to define. And while this is a satire, it’s sorely lacking in actual humor - a running gag involving snacks is the only legit laugh “Don’t Look Up” can muster over its seemingly endless running time. There’s never any doubt as to what McKay wants to say, but he doesn’t say it in a way that’s provocative or shocking or even thought-provoking. How can Cate Blanchett be expected to create a propaganda-spouting news lady who’s both believable and caricatured when Laura Ingraham exists? In an era when the fictional pro-wrestler-turned-president in “Idiocracy” feels like actual recent past, what’s left for Streep to do in creating a narcissistic and wildly unqualified POTUS? (As Randall’s deceived wife, Lysnkey probably comes off the best, mainly because her character emerges as the most recognizably human.) Here’s What’s New on Netflix in December 2021Īfter four years of the Trump presidency, satire is both easier and harder than ever - there’s no shortage of targets, but how does one spoof a reality that has already tipped over into absurdity and often frightening chaos? If there’s a way to thread that needle, McKay hasn’t figured it out here. When Kate gives up and walks away, Randall allows himself to be a mouthpiece for the government, having an affair with “Daily Rip” co-anchor Brie (Blanchett) in the process. Orlean finally commits to action (as a distraction from an embarrassing scandal), only to have the mission aborted by billionaire cell-phone tycoon Peter Isherwell (Rylance), who wants to take over the operation so he can mine the comet for precious metals.
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#Behind enemy lines imdb tv#
That TV appearance turns out to be disastrous, anyway, as Randall hems and haws while an exasperated Kate launches a thousand memes that portray her as a wide-eyed, “the end is near” lunatic. President Orlean (Streep, in Marjorie-Taylor-Trump mode) and her chief of staff–slash–son Jason (Hill) are more concerned with the pending midterms, and when Kate and Randall go on morning news show “The Daily Rip,” the vacuous hosts would rather talk about the love life of pop singer Riley B. Randall Mindy (DiCaprio) crunches the numbers and realizes that it’s going to hit the planet and cause an extinction-level event, the two attempt to warn the public that we’re six months away from disaster. It’s an exciting day for PhD candidate Kate Dibiasky (Lawrence) when she discovers a Mount Everest–sized comet making its way toward Earth, but after her mentor, Dr. ‘Don’t Look Up’ Trailer: Even Ariana Grande and Timothée Chalamet Don’t Care if a Comet Kills Us All (Video)